Always works in a rock setting. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. The KSM9 microphone typically runs around $700 in a wired configuration. The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. Like most professional microphones, the KSM9 has a low impedance of 150 ohms. More about the different types of microphones here. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Du. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. Hi Peter The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. email Sign up for our Newsletter; Shure Incorporated, 5800 West Touhy Avenue Niles, IL 60714 . http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! In the event of some tragedy befalling the mic, replacement grilles and complete capsules are available, if required, so the KSM8 should endure the rigours of touring live sound over a very long life. You can email the site owner to let them know you were blocked. Consequently, the polar pattern will have a deep rearward null, and we call that a cardioid response. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. With two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing. The action you just performed triggered the security solution. ksm9 hs surprising on no feedback. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. While this is by no means a scientific comparison, you can get a crude glimpse at frequency response differences between the SM58 and KSM8 here, with a simple 'AH' sung at a fundamental around 400Hz. 1:12 Shure KSM8 Only When you purchase through links on our site, we may earn an affiliate commission. But as condensers are more sensitive than dynamic mics, they may not be the best choice for everyone. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. Dynamic mics are particularly suited to live and stage use. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. Cloudflare Ray ID: 7a2dba687d4fa3ab The KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. The user should not attempt to remove or replace this lining. Save my name, email, and website in this browser for the next time I comment. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? The Neumann KMS 105 and the Shure KSM9 are both great microphones, but the Neumann kms 105 is the better microphone. Its similar in design to the classic Shure SM58, but with a squarer grille at the head of the microphone. Where you hold the microphone in relation to your mouth can make a big difference in sound. The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. Spitfire Audio Hans Zimmer Collection. They must maintain this distance in order to avoid variations in tone. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. to maximise the magnetic field in a very small space and thus ensure an acceptable electrical output level. PA Consulting. At 191 mm (7.5), its slightly longer than the Shure SM58. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. The active and passive diaphragms differ in that the active (top) one has a coil attached.Although the rear diaphragm isnt used as part of the electrical circuit in a fixed-cardioid capsule, it was subsequently discovered that it does play an important role in modifying the capsules proximity effect, which Ill come back to in a moment. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. More about the KSM8 here. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. Internal shock mount and capsule stabilization mean minimal handling noise. 965 seriously cuts through the muddiness very crisp high end. High sensitivity condenser mics are very good at picking up detail (both close-up and at a distance). But there are some differences. Shure: KSM8 & KSM9 Microphones. Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. Also, what's your use case, as this will probably help us guide you towards to best choice! They call it a three-stage grille or simply triple grille. The KSM8 really is impressive for a dynamic mic. Condenser mics are generally considered as sensitive to handling vibrations; however, in case with KSM9 the difference is tremendous. Turn your old gear into new gear with the Sweetwater Gear Exchange! Importantly, the mic provides a pretty consistent 5dB of rejection of sources at 90 degrees right across the frequency range, so that whatever off-axis spill is captured remains fundamentally uncoloured. Try a good quality boom stand, with a tripod base like the K&M 210/2. But guess you are looking more into a dynamic type of mic. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. None. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. This is also a good position for any sudden loud notes, or to shape, and tail off a long note. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. Therell be less of the proximity effect, and the mic will pick up more sounds from other instruments, and the acoustics of the room. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. By applying our craft in market contexts, we deliver solutions that empower end users, energize the channel, and strengthen businesses. The sound engineer will normally mute the mic from the mixing desk when needed. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. The KSM8 grille is lined with a permanently-attached hydrophobic cloth. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. To learn more about our cookie policy, please visit our Privacy Policy. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Shure KSM9 is a professional on-stage condenser mic. Ultimately they often sound better. 5/8" to 3/8" (Euro) Threaded Adapter. Switchable cardioid and super-cardioid patterns. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . More videos like Shure KSM8 vs. KSM9 | Whats the Difference? Your email, has been entered to win this giveaway. The Shure KSM9 is also a great choice for studio vocals. However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. The unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones: With traditional microphones, low-frequency response increases as the performer moves closer to the microphone. In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. This helps to achievean extremely fast transient responseand make the sound more vivid. Interesting Essay On Sampling Rights and Reforms. Finally, dynamic mics are passive meaning they dont require any power. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . The active and passive diaphragms differ in that the active (top) one has a coil attached. Any artist or singer who has enough money for professional gear could use KSM9. What's the problem with your 58? Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. mic. Shure Tech Portal open_in_new. For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. JavaScript is disabled. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. It might be just what you need to take your sound to the next level. In my experience the KSM8 is a more hi-fi-sounding mic. Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. We develop services as multi-channel brand experiences that empower people in meaningful ways and deliver value for both the user and company. The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. Its one of those things that comes down to personal taste. and all parts are high grade. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. MusicRadar is part of Future plc, an international media group and leading digital publisher. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. It is also a great option for those who are looking for a microphone that is durable and easy to use. New Release: EDM Expanse (Construction Kits). It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. Last but not least is an interchangeable polar pattern. What else do you need for your home recording studio? It is also nice to admit the technological advancements implemented in this unit. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. jim martin death couples massage class san diego beaver falls football shure axient combiner. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. Have a question or request? With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. 5 stars: 28 %: 4 stars: A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as the foundation, works fairly well. The Sennheiser also has a slightly larger diaphragm than the Shure. You may use these HTML tags and attributes:
, In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. Win a TB-03 and TR-06 from Roland. You can easily make one of these out of stockings, or buy one here. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. Follow Marcus Scott on social media The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. Shure KSM9. Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. For many live situations, a decent dynamic mic may be good enough. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. Boston, Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. This is great for recording ambiences, or in a controlled environment like a recording studio. It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. The last channel of my input list is the centerpiece of the show! Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. For more aggressive styles like metal, technically youll still get a betterquality vocal, but among those loud and heavy guitar riff sounds you may probably not be able to notice the difference. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . Theres nothing quite like knowing your audience are listening to a high quality sound. SM86 is Shure's best compromise. But aside from the minimal handling noise, this really is a different experience. BLXShure Quality at an Affordable Price for Basic Setups: $299. Show details. Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. $621.00. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian.
shure ksm8 vs ksm9